The Queensland Symphony Orchestra's (QSO) performance of "The Rite of Spring" at the Queensland Performing Arts Centre (QPAC) in February 2025 was an unforgettable evening that took the audience on a wild ride of music and movement. The performance started off with a more traditional classical approach before ramping up into something much more dramatic and dynamic, especially once the circus elements were introduced in the second half. 

 

Under the direction of Umberto Clerici, the orchestra opened with Claude Debussy’s "Prélude à l’après-midi d’un faune", followed by Ottorino Respighi’s "Concerto Gregoriano", both pieces designed to set a more serene, dream-like atmosphere. These works lulled the audience into a false sense of security with their lush melodies and tranquil rhythms. The music was beautiful and soothing, with the orchestra delivering each piece with emotional depth and precision. The violin solo by Kristian Winther in the "Concerto Gregoriano" was a particular highlight, showing off his remarkable technical skill and expressive playing. 

 

But just as the audience was settling into this calm and peaceful mood, the second half of the performance brought something completely unexpected. That’s when Circa, the circus troupe, came into play, adding a whole new dimension to the experience. The circus performers’ incredible acrobatics and daring feats brought a fresh layer of energy and excitement to Stravinsky’s iconic "The Rite of Spring". It was during this section that the raw, primal power of Stravinsky’s music truly took over, and the audience was treated to an unforgettable fusion of music and circus arts. 

 

The dramatic shift from the gentle, impressionistic sounds of the first half to the chaotic, energetic music of the second half felt like a perfect contrast. The circus performers, performing aerial silks, acrobatics, and contortion, embodied the themes of Stravinsky’s piece—ancient rituals, sacrifice, and the raw forces of nature—through their physicality. The synchronicity between the performers and the orchestra’s bold, rhythmic score created an immersive, electrifying experience. The intensity of the music and movement was perfectly aligned, and the audience was pulled into the visceral power of the performance. This stark transition from a peaceful first half to the dynamic and dramatic second half was brilliant. It kept the audience on their toes, never quite sure what was coming next, while also showcasing the versatility and energy of the orchestra. It wasn’t just about the music anymore—it was about creating a truly multi-sensory experience. 

 

In conclusion, QSO’s "The Rite of Spring" at QPAC was a masterclass in both orchestral performance and creative collaboration. The first half, with its calming and lyrical pieces, set the stage, but it was the introduction of the circus elements in the second half that completely transformed the performance. The combination of Stravinsky’s bold, expressive score with Circa’s jaw-dropping acrobatics made for a dramatic, high-energy show that kept the audience captivated from start to finish. It was an evening that blended the old with the new in a truly unique way, and if you have the chance to see something like this in the future, don’t miss it!

 

Review: Joanna Letic

 

Imagery: Sam Muller