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Suffering Jukebox

Nick

Alternative
Rock
Experimental

Monday

6:00 AM - 9:00 AM

23.02.26

This morning's episode features two interviews, with two highly unique, experimental guitarists. The first, with Shane Parish and the second with Marisa Anderson.

Shane Parish is about to release his new album, Autechre Guitar, via Bill Orcutt's Palilalia Records. It will be released this coming Friday, February 27th. You can find out more about Shane (and purchase his music) here; https://shaneparish.bandcamp.com/

Marisa Anderson just announced her latest album, The Anthology of UnAmerican Folk Music, which is a collection of songs performed in Marisa's own style, from countries and regions impacted over the years by US foreign policy and intervention. The Anthology of UnAmerican Folk Music will be released by Thrill Jockey on Friday May 22nd and she plays The Junk Bar this Saturday, 28th February, alongside Andrew Tuttle. You can find out more about Marisa (and purchase her music) here; https://marisaanderson.bandcamp.com/music

Nick's Pick of the Week is Craning's Distress Tolerance, which was released on Friday February 20th. You can hear it in all the usual places, or purchase it here; https://craning.bandcamp.com/album/distress-tolerance and my review can be read below.

 

Craning: Distress Tolerance (Self-Released)

Released 20th February 2026

“Please don’t move to Melbourne” implores a surprisingly popular —yet irritatingly repetitive— song that makes light of well-known a right of passage for many Meanjin creatives. The urge to leave the “large country town” in the north for the “big smoke” of the south is strong for many artists and musicians seeking greater opportunities and more liberal-minded communities. Try as Brisbane might, in the eyes of many, it still can’t shake the cultural backwater reputation it gained throughout the Joh Bjelke-Peterson era and —to be blunt— under the watch of the current state government, it may be headed that way again.

So it goes, local noise-rock/industrial-core outfit Craning played their final show as a Brisbane band and released their debut album, Distress Tolerance, on the same day —February 20, 2026. Having spent the better part of the last three (or so) years building a reputation as one of Meanjin’s most exciting, visceral and unpredictable rock bands, Craning’s small, but dedicated fanbase finally got to hear the fruits of the group’s labour in the form of five tracks of disturbingly brilliant and immensely challenging music.

Comprised of Amaya Dedes (musical lineage unknown) on bass, James Dimick formerly of Super Death and currently of Twine) on drums, James Eyre-Walker (formerly of Plainer, Requin and Verity Whisper) on guitar and Isobel Tait (formerly of Doggie Heaven) on vocals; although, since recording Amaya has been replaced on bass by Josh Strange, a former Brisbane boy —now based in Melbourne— and a veteran of bands as diverse as Quiet Steps, To The North, Nature Trails, Jazz Tiger and Gil Cerrone. Craning are a super-group of construction site sized proportions, designed to make you feel uncomfortable and purpose-built to scare the living shit out of you. Early shows featured masks, metallic objects, flashing lights and controlled destruction, whilst more recent shows tend to emphasise the music above theatrics, the band has lost none of their edge; nor an iota of their intensity.

Distress Tolerance begins with Start Pregnant and ends with Metro North Access Line. Across its almost half-hour runtime it ushers the listener through a litany of trials, tribulations and traumas that —were they not so downright exhilarating— would be nothing short of devastating. Jawmax, the album’s advance single, is all abrasive dissonance, shouted vocals and growling, grumbling bass lines. It gives way to the —far more experimental— Born With It, recorded at a house show in Indooroopilly in 2024, before disintegrating into the gleefully maniacal Clings. Saving the best for last, Metro North Access Line is far more dynamically diverse than anything that precedes it. Full of abrupt stops and starts and loud and quiet juxtapositions, by the time it ends one cannot help but feel relief, whilst fighting the urge to skip right back to track one and start again.

With Distress Tolerance, Craning have cemented their reputation with an epic debut that is equally shocking and exciting. This is an album of deeply unsettling music that manages to feel both world weary and naive —like a finding a discarded doll in an abandoned building. How do they do it? Who knows and who the fuck cares, as long as they keep doing what they’re doing. Brisbane may be about to mourn their loss, but Melbourne sure as hell ain’t aware of what’s about to hit it. 

Nick Stephan

Crooked Fingers (feat. Mac McCaughan)Cold Waves
Blind GirlsBlemished MemoryLOCAL
Raw ImpactTime's UpLOCAL
CraningJawmaxDistress ToleranceLOCAL

Nick's Pick

Elvis PresleyBurning Love (Epic Version)
Crown And CountryJardiwarnpa (Reconciliation)AUS
Everything But The GirlMy Head Is My Only House Unless It Rains

Cover Me (Originally by Captain Beefheart)

 

Lawrence English & MerzbowA Thing, Just SilenceLOCAL
Roy MontgomeryPyromantic IdeationAUS
Joy DivisionDecades

Sad Song of the Week

Watership LoundsBoca RatonLOCAL
FatshaudiForever InsideLOCAL
FhaeFlightLOCAL
Marisa AndersonTaqism For Guitar
InterviewMarisa Anderson Part 2
Andrew TuttleThere's Always A CrowLOCAL
InterviewMarisa Anderson Part 1
Sam SlaterHeatsick
Joshua Chuquimia CramptonChakana-Headbang!
00:00:00Shane ParishSlip
InterviewShane Parish Part 2
AutechreSlip
06:38:38InterviewShane Parish Part 1
06:31:31Maria BCMarathon
06:27:49Alan SparhawkJCMF
06:19:23The Sidewalk RegretsAll The RomansLOCAL
06:14:48Ritual DisorderRewindLOCAL
06:09:42Blank RealmBack To The FloodLOCAL

Monday Morning Mood Lifter

06:01:09Lee HazlewoodIf It's Monday Morning

Previously

2:00 AM - 6:00 AM

Backyard Lover

Tabor

Alt-country
Indie
Fizz

On-air now!

6:00 AM - 9:00 AM

Suffering Jukebox

Nick

Alternative
Rock
Experimental

2025 TOP 10s

Top 20

TOP 20[S] - SINGLE4ZZZ06.02.2026 - 13.02.20261. Various Artists - First Sounds Vol 13 (AOTW)2. Still Full From Lunch - Rain (S)3. Radium Dolls - Wound Up4. WAAX - Uh Oh (Bardcore Girls) (S)5. En Kernaghan Band - Energetik6. ITCHY & THE NITS - Greetings From7. Flamingo Blonde - System Of Security (S)8. Pink Jelly - I Don't Like Nature9. Royal Ratbags - Hesitation (S)10. sienna tenn - wish it was you (S)11. Stagger - Ever (S)12. Arianna - Alive (S)13. PEACHY - her bones (S)14. chestr - et tu15. Emmy Hour - The Numero Uno EP16. Catchcry - Too Long (S)17. Hannah Kate - Whatever Weather18. sleepazoid - New Age EP19. Courtney Barnett - Site Unseen (Feat. Waxahatchee) (S)20. Euniq - Phenomena

Thanks to Nick Jones for compiling the list from 4ZZZ announcers playlists using the Amrap Airplay Search service.

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Latest Merch

Off Air

8 Years of Making Radio with our Sub Band Coordinator Billie Letic

Three weeks ago 4ZZZ began the December-May block, and we welcomed some new programs to the station, as well as said goodbye to some others. One move was the departure of Monday Sparkzzz from 102.1FM, as announcer Billie Letic makes the transition to Zed Digital with a re-launch of long-time daytime favourite Ozone. Billie has been an announcer on 4ZZZ for eight years, and is our Sub-Band Coordinator. If you are a subscriber band or solo musician she’s processed your music submissions at lightning speed, and has been a huge asset to the station. Community Engagement Coordinator Liz Witt had a chat with Billie about the move.

How did you get involved with community radio?
As a radio and music lover, back in 2017 I was actually searching for a community radio just like Zed and found it by accident on Google search. I had no idea that such a wonderful place and community like 4ZZZ existed before.
The first six months I spent volunteering in the 4ZZZ music department, and my mentor was the legendary Chris Cobcroft. I learnt so much from Chris and am always grateful for all his valuable knowledge passed onto me.


What's it been like hosting several shows across 102.1 and Zed Digital?
During my collaboration with musicians, I have realised that they are the nicest people to collaborate with, because most of them are easy-going and friendly.
Last few years I have been hosting three distinct programs, which is awesome challenge with fantastic experience:

  • Subzzz Novo - created for all 4ZZZ sub musicians to give them special platform to be heard
  • Monday Sparkzzz - a magazine style of the show focusing on other art forms other than music
  • Balkan Beats – apart from Eastern European Balkan music exists for all Balkan music played in Australia and around the world.

I feel that FM shows grant you the opportunity to meet all local and Australian talents and create strong bonds with musicians and artists (even without knowing them in person), while Zed Digital shows connect you with the whole world. For instance, currently Balkan Beats show is being streamed by half of Europe, the whole Balkan and neighbouring countries, even in Scandinavian countries and South America.

You're also our sub band coordinator, what's one piece of advice you'd give an emerging local musician from your experience?
My personal opinion is that music and vocals should touch our hearts. If your voice or tunes are not there yet, never give up, just keep practicing, have more singing lessons, be the best you can be. Music should make your audience feel something, so if you don’t do it from the heart, we can’t feel it.
4ZZZ will be there to support you, but you need to do all the work by putting your blood, sweat and tears into your music.

Anything else you'd like to communicate to our listeners?
Support and subscribe to this unique independent radio 4ZZZ as we all do this for love and passion. Every playlist is carefully crafted from the heart, with lots of love, so that you can enjoy listening.
We are ready to entertain you for another 50 years, are you ready to support us for the next 50 years?

HOT 100 VOTING IS NOW OPEN

December 7th from 12PM, we're taking to the airwaves to celebrate the top tracks of the year as voted by the listeners. Listen from wherever you're at, or join one of our Super Official Unofficial Listening Parties! 
Don't miss your chance to contribute, head to hot100.4zzz.org.au to prepare your shortlist and vote!

4ZZZ subscribers get some extra perks during the Hot 100 voting. Your votes hold double weight and you can save a shortlist to come back to finish your list another time.

If you're not already a subscriber, you can sort that out right here.

Don't take too long though. Voting closes on Sunday, November 30th at Midnight. Strictly one vote per person.
 

Sounds Like Community Radio 2025

On Wednesday, 3 September from 1 pm - 6 pm, 4ZZZ will throw open its doors to share the unique stories, voices, and music that make community radio so special.

Hosted by CBAA’s AMRAP, 4ZZZ, Triple R, PBS 106.7FM, Three D Radio, Edge Radio, 2SER 107.3 and more, Sounds Like Community Radio invites you to meet your fellow presenters, volunteers, producers, community, music lovers, artists, radio enthusiasts and celebrate the tireless dedication and impact they have on our vibrant music scenes nationally while enjoying a live national broadcast and artist performances.

This year we’ve assembled the CREAM OF THE CROP for your listening pleasure:
BADASSMUTHA
Charlie Needs Braces
Ijale
Last Quokka
Platonic Sex
Roger Knox

Celebrate the people MAKING NOISE in Australia’s music scene- both on and off air!

500 Episodes of The Soundtrack Show!

For ten years Joe Hogar has been a steady presence at 4ZZZ, making radio, hanging out, and is the only volunteer who consistently helps with the vacuuming. So he's basically worth his weight in gold. His weekly program, The Soundtrack Show, has recently celebrated its 500th episode- Liz Witt joined him for a chat about his journey.

How long have you been doing The Soundtrack Show?
Ten years this Saturday night. a bit over five hundred. Five hundred and five? Something like that. 

What were you thinking when you decided to start a soundtrack show?
(During training) they told us to try to play music that we like that we're used to, and I’ve collected soundtracks for years. I thought, “I can put that to use.” My mum used to say to me, when I was collecting records in the early days, “Joe, you can't listen to all those records!” Because my cupboard was filling up, mostly secondhand ones from Skinnies and Rocking Horse in the city. I never had an answer for her.

I’ve listened to Triple Z since 1980. I got into it after [listening to] heavy metal- the usual Van Halens and Black Sabbath and things. Then Triple Z got me into alternative, Punk rock stuff, with The Clash and things like that. The cool stuff. 

Where did the Passion for soundtracks come in?
Well…soundtracks change over the years, but a lot of the time there's at least one really good song on there, that's hard to find if you went looking for the record. So that comes in handy. I’d buy the soundtrack just for two songs, and I’ve still got them all, they did come in handy after all! I wish my mum was still around so I could have had an answer for her. Yeah. But the thing is…I was pretty nervous starting out. Michelle Brown [former station manager] was trying to figure out what to do with me. And I was nervous starting.

I was training on Nothing But The Blues and The Rock n’ Roll show, two of the longest running shows on Triple Z. I think I was ready and Michelle said, “stick Joe on the graveyard on Sunday mornings, then he can play all that weird shit.” I thought, how does she know what I'm going to play?

Anyway, I like the comedy records as well. I was a sucker for the comedy records on Triple Z late at night. Blues, country…I got right into that. Different stages you go through when you record collecting. It all had no intention of doing any radio one day at all. Judy let me talk on her show one afternoon on Subterranean, and I was crapping my pants. 

But was there a part of you that was like, "Oh! I like this…"
It was fun, yeah. It was fun.

If your house was on fire, what's the soundtrack that you would reach for?
Probably from the movie Top Secret. And my Valley Girl record, which I got from England. And-. I forgot about the Get Crazy soundtrack. I have to grab that.

All right, three under your arm and you're out. Is there anything you would like to sell the listeners about your Zed journey?
I've never missed one soundtrack show in 10 years. 100%. And I bet you no one else in this place has ever done that. Or any other damn radio station in this country, possibly overseas, though. 

You can hear The Soundtrack Show every Saturday night/Sunday morning from 12AM-2AM. Congratulations on 500 episodes!

LIMITED EDITION 50TH BIRTHDAY TEE AVAILABLE NOW

In traditional terms, the 50th anniversary is celebrated with GOLD. While we're not particularly interested in being traditional, this is one we can get behind. Since 1975 we've been broadcasting radical radio to South East Queensland, and to mark 50 years we're releasing a limited edition GOLD 4ZZZ50 tee! 

This AS Colour black tee features a purple and metallic gold print designed by our friends at Inkahoots. It's a celebration of lo-fi digital, DIY bitmap, pop-punk tech, the clash and colour of subcultures blending to form a whole that is more than the sum of its parts.

These shirts are strictly limited- don't miss out!

50 Years Of Zed!

2025 marks the 50th year of broadcasting for 4ZZZ! From our first broadcast on December 8th 1975, we've been connecting and amplifying the voices of our local community. Keep an eye out for our 50th birthday celebrations that will be taking place in later in the year- a smorgasbord of live music, visual art, panel talks and on-air celebrations awaits!

We're also collecting stories from zedders throughout the years- if you were ever a volunteer, announcer, or staff member we want to hear from you

As we reflect on the last 50 years we're also looking forward to the next 50! If you love what we do, there's never been a better time to show your support by subscribing, donating, and listening to Brisbane's realest radio. 

 

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